Album Review: Avenged Sevenfold- “Hail to the King”

Avenged Sevenfold albums are usually hit or miss, but the metalcore/hard rock favorites from California have developed a decent track record as of late.  This continued, full-album resilience is more than evident on “Hail to the King,” the band’s latest record.

Unlike the entirely-modern roar of past works like “Nightmare” and “City of Evil,” “Hail to the King” pays a massive amount of tribute to the band’s heavy metal predecessors.  An immediate Metallica influence can be traced to the blistering intro, “Shepard of Fire, ” and is later carried on through “Crimson Day” and the pulsating Lar’s Ulrich-esque beat of “This Means War.”

There will be some who point a finger at A7X and yell “plagiarism,” but the open-minded will be able to recognize the original spin the band puts on each of the album’s tracks, homage or not.

Truth is, there is actually a notable amount of originality on “Hail to the King.”  “Coming Home,” “Requiem,” “Planets,” and the medival-themed title track transcend nearly every element of the band’s past material.  Furthermore, the album’s conclusion, “Acid Rain,” is one of the most beautiful and charged ballad songs the band has ever attempted.

Take the ambition of “Nightmare,” the hooks of “City of Evil,” and the dark subject matter of the self-titled album, compliment it with a healthy dose of classic metal homage, and top it off with something fresh and demonic.

What you’re left with is one of Avenged Sevenfold’s finest albums in quite a while.

All in all:

Standout Tracks:  “Shepard of Fire,” “Hail to the King,” “This Means War,” “Coming Home,” “Requiem,” “Acid Rain”

Avenged Sevenfold- “Hail to the King:” 4.5/5

Song Review: Avenged Sevenfold- “Hail to the King”

Avenged Sevenfold arguably has one of the most loyal and passionate fanbases of any modern heavy metal band.  So naturally, there should be a reasonable level of elation from deathbat worshipers everywhere in response to the band’s newest single, “Hail to the King.”

The song- hot off the presses as of two hours ago- is like a three-way hybrid of Iron Maiden, Guns N’ Roses, and Metallica.  It includes much of what one would expect from a standard A7X tune:  and a gravely M. Shadows vocal performance, a powerful rhythmic backdrop from Johnny Christ and Zacky Vengance, and a collection of Synyster Gates lead riffs that will hurt the fingers of the guitar-illiterate.  The only notable deviation from the band’s  typical metalcore/classic metal formula is the contributions of Arin Ilejay (who replaced the late James “The Rev” Sullivan earlier this year).  Ilejay pounds away at his kit and makes it clear that he is a solid replacement for a nearly irreplaceable musician. 

“Hail to the King” packs a punch, but not a wallop.  It lacks the overtly-dominate hooks and stand-out guitar riffs displayed on older songs like “Beast and the Harlot” and “Nightmare,” but it still gives listeners a strong sampling of the upcoming album’s potential.

Avenged Sevenfold- “Hail to the King:” 3.5/5

Listen to “Hail to the King” here: